Who's Behind the Mask?

by: Marla Sloane, Ph.D.



Halloween is a great time to wear a mask and set aside your inhibitions to become somebody else for a short time. It’s a lot of fun because you get to choose who you want to be. On this one particular night, you can be someone totally different from how others see you and it is accepted. You can be anything you want from Frankenstein to Einstein or from Cinderella to the Chainsaw Killer. But what if someone else chooses the disguise for you? In our lives we are faced with this dilemma all the time. People will try to give us masks to wear, and in the right situation we will be willing to wear them.

When we are children our parents have certain expectations of what they expect of us. We are told that we are expected to go to college and become someone special. We are taught to have manners and to respect others. We are advised to obey laws and to set lofty goals. These set of expectations are healthy and positive. Oh, if only we were that lucky to have these sets of masks! What happens if our parents put a different expectation on us? “You will never grow up to be anybody.” “Your mother and I expect you to run the family business.” “Since you are a girl, you really don’t need an education.” “You are such a disappointment in the family.” “You just can’t do anything right can you?” When we hear these kinds of words from our parents, we have a different vision of our potential. We will do anything to make them right. Our subconscious mind is wired that way. We will wear those masks to make others happy and in return we will feel that we have earned their love. These maskshowever are destructive and limiting. But since they are so subliminal we put them on and act out that character to perfection. We will wear a mask to fit into society. We will wear a mask to be accepted and loved by our families. We will wear a mask to have our spouses be proud of us. These masks, unlike the Halloween masks are invisible, yet very powerful. These masks are harder to take off because they are hidden and somehow along the way we have made them part of our psyche. If the mask doesn’t fit and we want to take it off, now there are consequences involved. If I remove my mask will I still be loved? If I remove my mask will they find out that I am an imposter? “If I remove my mask I won’t feel safe anymore.” Isn’t this the age old fear: what if I’m just myself and they don’t like me?

After wearing many masks growing up, I discovered that we have two choices in life. We can choose security or we can choose freedom. Security involves going with the flow and not making any waves; being accommodating and wearing the masks that are expected. There is certainly nothing wrong with this choice; but it is safe, and since very few risks are involved, there is little chance for growth. The other choice is freedom. Freedom involves removing your masks. Freedom is living life on your terms, but this requires risk and the high potential of failure before you get it right. When you remove your mask, you will automatically change the dynamics of your relationships; some will improve and some will end. The fear of losing certain people in our life is too much of trepidation to bear; therefore we place the mask back on. It is like the battered wife that goes back to her abusive husband. She knows that is not the best choice, but because of fear and the risk of losing hersecurity she goes back. The gay community faces this predicament; do I come out and remove my mask or keep things safe, just as they are? Children from close knit families have these decisions; do I make my parents happy and work in the family business or do I defy them and choose my own career? It’s all about the masks we wear and the choices we make and our choices will create our future.

Halloween is a night of choosing a mask that can be an adventure for one evening, but it can also make us conscious of the masks we wear in our real lives. While we are having fun on this ghoulish occasion it can give us insight to discovering who we really are and who we aspire to be. The important thing to remember is that a mask can be a good thing as long as it fits and it is our choice.

Marla Sloane, Ph.D.

About The Author
Marla Sloane, Ph.D. is the author of The Masks We Wear and How to Live Without Them. She is also a sought after expert providing phone counseling sessions and has an extensive background in Psychology, Clinical Hypnotherapy, and Neuro Linguistic Programming. She has written numerous articles about releasing stress, how to find your authentic self, and the importance of living in your truth. You can contact Dr. Marla at Marla@marlasloane.com.



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Labels: character, film industry, school film

Posted by dian rahayu, Monday, June 4, 2007 11:15 PM | 0 comments |

What Do I Do After Film School?

by: Paul Kyriazi


I get this question a lot and have a serious opinion about it:

The most important thing is to always keep your shingle hanging out, saying "I am a freelance director." Never say, "Ah I gave that up." Even if you have other jobs, never tear up your business card.

Keep contact with all active filmmakers from college. Work on their films. It's a business of showing up. Show up to shoots, in any capacity. Show up enough and do a good job, and be an ambassador of good will, and you have a good chance on being invited to work on other films. And remember, be courteous and respectful to everyone. The extra or stunt man of today's shoot could be the producer of tomorrow's shoot. It happened to me. One of my swords women fighters from "Weapons of Death" hired me to do a travelogue in Phuket, Thailand. And actress Barbara Leigh just hired me to direct her new audio-book "The King, McQueen, and the Love Machine", and play the part of Elvis.

My life changed when I realized that I was not only in the feature film business, but in the COMUNICATION business. Just like the the USA train companys that thought they were only in the train business and didn't invest in trucks and airplanes in the 40's and '50s. They were left behind.

So be a sound man, an extra, an actor, a novelist, a speaker, a film teacher, (but don't get stuck in a dead end job). Be those as a freelance. But not a stunt man. It's too dangerous.

Yes, you will direct, but be in the communication business. Also you must start to develop your own projects that you feel passionate about. You never know when someone with money will ask you if you have a project. You should be able to instantly give him or her a script and budget and location plan and schedule.

Keep watching you favorite films over on DVD. Keep reading books by directors and watching DVD bonus programs and listening to commentary tracks. This is an incredible teaching device that will help program your subconscious to keep you on the right track.

Most important, to repeat, work on everyone's film. Yes, some will not appreciate your help, some will not pay you what they promised, but others will.

You must have some kind of short film or video to show someone when you get an opportunity.

I've directed six features (did post on many more) and still want to do more. That's why I did "Hard Rock Lovers" as an audio-book with famous actors. That's why I have it on ebay listed under those actors. Maybe a producer who is a fan of those actors will see it, buy it or request it from me, love the story and ask for a script, which I have waiting. But more than that, I'm still talking action on it, by getting it to producers via my agent.

Beware, age 26. That's when all my movie friends gave up. Four years after college. Their wives, girlfriends, or even parents said, "Well, you gave it a shot, now you have to get a real job." Yes, get freelance jobs. I always worked and at night I screened my first feature to buyers and future investors. Always work, but work freelance to be available for other film jobs.

Most of all, repeating, stay in touch with every active filmmaker, and make a contribution, whether it's passing on your used DVDs, helping to write a project, or whatever. You have to ask, ask the right people, have something to give, and keep asking other people.

If your interested in directing for the creative expression and lifestyle, or to do that one great story you have in your heart, you'll stay in it. However if you only have the dream of fame fortune and money, it's hard to stay motivated and will seek other paths for that.

And the best part is that you can't even imagine the surprises that come when you follow your dreams. I have too many personal examples to list here, but it's amazing what comes and how it comes.

About The Author
Paul Kyriazi - Feature Film Director
http://www.xanga.com/featurefilmdirector

Labels: school film

Posted by dian rahayu, Saturday, April 14, 2007 6:29 AM | 0 comments |
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